Uruk$506606$ - ορισμός. Τι είναι το Uruk$506606$
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Τι (ποιος) είναι Uruk$506606$ - ορισμός

CARVED ALABASTER VESSEL FOUND IN A SUMERIAN TEMPLE COMPLEX IN URUK, IRAQ
Uruk Vase; Walker Vase; Walker vase
  • Replica of the vase in the [[Pergamon Museum]] in Berlin, Germany
  • Uruk Vase Guide to Proto-Cuneiform

Uruk period         
  • Clay envelope with its accounting tokens, Late Uruk period, from Susa, [[Louvre]].
  • Location of the main sites in southern Mesopotamia in the Uruk and Jamdet Nasr periods.
  • Cylinder seal and impression: cattle herd at the cowshed. White limestone, Mesopotamia, Uruk Period (4100 BC–3000 BC).
  • Fragment of a bowl with a frieze of bulls in relief, ca. 3300–2900 B.C. Late Uruk–Jemdet Nasr periods. Southern Mesopotamia
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  • Tablet with proto-cuneiform pictographic characters (end of 4th millennium BC), Uruk III.
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  • Ruins of [[Tell Brak]], [[Syria]].
  • title=Tablet W 9579,d /VAT 14674 : description on CDLI.}}</ref> [[Pergamon Museum]].
  • archive-date=25 September 2011}}</ref> [[Pergamon Museum]].
  • Modern clay impression of a cylinder seal with monstrous lions and lion-headed eagles, Mesopotamia, Uruk Period (4100 BC–3000 BC). Louvre Museum.
  • The [[Uruk Trough]], showing cattle and a stable. Circa 3300-3000 BC, British Museum
  • Sculpture of the ritually nude 'Priest-King', Late Uruk, [[Louvre]].
  • Columns decorated with [[mosaic]]s, from the archaic [[Eanna]] Pergamon Museum
  • Reconstruction of part of a house from Habuba Kabira, with its mobile property, [[Pergamon Museum]].
  • Pottery from the Late Uruk period: wheel-made pottery at right and bevelled rim bowls at left, Pergamon Museum.
ARCHAEOLOGICAL CULTURE
Uruk culture; Uruk III period; Uruk IV period; Uruk IV; Proto-literate period of Sumer; Protoliterate period; History of Mesopotamia (4000–3100 BC); History of Iraq (4000–3100 BC); History of Iraq (4000-3100 BC); History of Mesopotamia (4000-3100 BC); Uruk Period; Late Uruk
The Uruk period (ca. 4000 to 3100 BC; also known as Protoliterate period) existed from the protohistoric Chalcolithic to Early Bronze Age period in the history of Mesopotamia, after the Ubaid period and before the Jemdet Nasr period.
Art of Uruk         
  • Fragment of a Bull Figurine from Uruk, c. 3000 BCE
  • Location of main ruins within city of Uruk
  • Cylinder seal and seal impression with [[serpopard]]s and eagles from the Uruk period (4100-3000 BCE)
  • Early writing tablet, c. 3100-3000 BCE
  • Beveled-rim bowl, c. 3400-3200 BCE
  • url=https://archive.org/details/TheLootingOfTheIraqMuseumBaghdadTheLostLegacyOfAncientMesopotamia/page/n7/mode/2up}}</ref>
Draft:Art of Uruk
The art of Uruk encompasses the sculptures, seals, pottery, architecture, and other arts produced in Uruk, an ancient city in southern Mesopotamia that thrived during the Uruk period around 4200-3000 BCE. The city continued to develop into the Early Dynastic Period (Mesopotamia) around 2900-2350 BCE.
Aramaic Uruk incantation         
Draft:Aramaic Uruk incantation
The Aramaic Uruk incantation acquired 1913 by the Louvre, Paris and stored there under AO 6489François Thureau-Dangin, Textes cunéiformes VI, Tablettes d’Uruk (Paris, 1922), no. 58.

Βικιπαίδεια

Warka Vase

The Warka Vase or Uruk vase is a slim carved alabaster vessel found in the temple complex of the Sumerian goddess Inanna in the ruins of the ancient city of Uruk, located in the modern Al Muthanna Governorate, in southern Iraq. Like the Uruk Trough and the Narmer Palette from Egypt, it is one of the earliest surviving works of narrative relief sculpture, dated to c. 3200–3000 BC. Simple relief sculpture is also known from much earlier periods, from the site of Göbekli Tepe, dating to circa 9000 BC.

The bottom register displays naturalistic components of life, including water and plants, such as date palm, barley, and wheat. On the upper portion of the lowest register, alternating rams and ewes march in a single file. The middle register conveys naked men carrying baskets of foodstuffs symbolizing offerings. Lastly, the top register depicts the goddess Inanna accepting a votive offer. Inanna stands at the front portion of the gate surrounded by her richly filled shrine and storehouse (identifiable by two reed door poles with dangling banners). This scene may illustrate a reproduction of the ritual marriage between the goddess and Dumuzi, her consort that ensures Uruk's continued vitality. The vase depicts an example of hierarchy being a portion of nature, and, according to anthropologist Susan Pollock, shows that social and natural hierarchies were most likely akin to each other in ancient Mesopotamia.